















i did in fact paint some paintings ages ago with sleeping and/or dead people, inspired by victorian post mortem photography, but with a more contemporary look. i think the subject is easier for a lot of people to look at in a painting, although personally i have no problem looking at the photos; i think they're absolutely beautiful in a melancholic sort of way. i think the fact that you just can't tell if the subject IS in fact dead or if he or she is only asleep makes it interesting.
currator robert storr had a therory of the good grotesque that matches this effect; "it's like the duck/bunny trompe l'oeil, the drawing that looks like a duck at a certain angle but the bill becomes rabbit ears when it's turned on its side... is it a duck or a bunny?... they are locked and your mind keeps flashing from one to the other. good grotesques are sort of like duck/bunnies."
No comments:
Post a Comment